A play review that explores the appeal of “Megaton Musashi”. Convinced by the player’s high evaluation! It was a megaton-class robot work that carefully created the pride of a giant robot.
While the final episode of the cross-media anime version is just around the corner, players who have already played the game version are praising it. Why is this work so highly rated? And what part is the core of the fun?
It’s a long article, so if I write the conclusion first, what I found by playing it was that the details as a rare giant robot that started up in Reiwa were very elaborate. That world setting was a desperate stage that highlighted the presence and heat of giant robots. And I felt that the amount of heat of the part is very high, such as the remodeling of the robot and the collection of parts are hack and slash-like and there is no time to stop, and the battle action itself has introduced a system that keeps raising the voltage of the giant robot. ..
While chasing that area as a real-life report, I would like to approach the heat source of ” Megaton Musashi “.
60m giant robot
“Megaton Musashi” is titled “Megaton Musashi”. The protagonist-class robot of this work is the “Musashi” machine. First of all, the visuals convey the unspeakable nostalgia and hugeness.
First, let’s take a look at licking a Megaton Musashi machine.
How is it? The fact that this work is not a stylish and slender machine, but that a giant robot that dares to feel rugged and retro is being pushed out as a robot that plays an active part is the modeling of this Musashi machine and the title “Megaton Musashi”. There is something that comes from you.
It seems that the catch phrase “megaton class” itself was used as a metaphor for the power of an explosion of 1 million tons of gunpowder in postwar Japanese reports, and this work has a somewhat Showa retro atmosphere. May be there.
Above all, don’t you think that the appearance of the robot is extremely unique?
This silhouette. The limbs are unusually large, but the face is small enough to be buried. The chest is large and the body gives a strong impression. By the way, the hole in the center is the launch port of the strongest deadly weapon “Diffusion Blaster”, which is a trump card.
Above all, don’t you think that the appearance of the robot is extremely unique?
This silhouette. The limbs are unusually large, but the face is small enough to be buried. The chest is large and the body gives a strong impression. By the way, the hole in the center is the launch port of the strongest deadly weapon “Diffusion Blaster”, which is a trump card.
The ultimate is the face that has only this impact. An eye camera with round eyes that looks like it has a lot of motivation. Forehead parts that imitate bolts as goggles. And protrusions like animal ears.
It wasn’t the final design that sought out the optimal structure as a weapon, but this was the face of the protagonist of the giant robot … When I looked at it, I could even feel the pride of the nostalgic old giant robot. ,face.
Next, I would like to see it from the shoulder to the arm. The Musashi machine is very impressive with its large spherical shoulder parts and thick arms. Since this machine is equipped with a double blade called a double sword in both hands (can be changed during play), the spherical shoulder parts are probably the best structure for a wide range of motion.
From this heavy visual, it is easy to imagine a rather dull behavior, but the actual movement is rather the opposite. As you can see by actually maneuvering it, the movement of swinging the sword at such a high speed that even a sword dance is possible is a little surprising.The other is probably the arm that is too thick. There is a clear reason for this structure. The arm contains a powerful and unrivaled weapon mounted on the Musashi machine.On the upper right arm, a special move that uses a mechanism that accelerates tachyon particles (unidentified particles that are supposed to move at speeds exceeding the speed of light) called tachyon accelerators … It can also fire a “megaton punch”.
